Review:

From Goodreads: The year is 2049 and in the new dystopian order, the Randoms have risen to the top like cream. Earth faces dire consequences because of the Helix Complex and their illicit use of mass-sterilization. Many who could have children, were made into mules from the virulent Zondorae concoction of 2030.

Now middle-aged, Death’s children do their best to move forward in a world where technology and paranormal powers collide in a mix of tragedy and circumstance. Zombies have been raised for the slave trade by those Randoms in power.

Paxton Hart and Parker’s twin girls are grown and on the radar for those that understand how critical they are for the future. The tight-knit circle of friends continues to network for solutions to the depravity that has taken hold.

Can the original group right a tremendous wrong? Will the new generation of Randoms find a solution for propagation, or will their power base cannibalize those who choose harmony instead of greed?

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Um, WOW. Blodgett is back in the latest Death series novel, and our beloved characters are all grown up with teens of their own now. And. It’s. Awesome!

Gramps is still kickin’ at 80 years old, but as we find out fairly early on, his daughter, Ali, Caleb’s mother (the main character in death 1-6), is dying, and Caleb’s teenage son, Paxton, is having a really hard time with this.

So begins the novel, as Paxton struggles with his powers as he watches the cancer eat away at his grandmother (not Gramp’s wife), a woman that so totally gets him, he can’t handle the inevitable separation. And like his father Caleb, Paxton struggles to control not only his gifts, but his anger as well. And it is this anger that sends him and his twin sister, Deegan, on an adventure not unlike those his father and his friends used to have when they were young… lovers of Death rejoice!!

Paxton has an awesome ability that is new to the Death series–the ability to jump, or blink, to another dimension, and as the story unfolds, Blodgett presents two vastly different worlds that are so imaginative and amazing that you’ll feel like you’ve blinked there alongside them. As Deegan finds herself in dire circumstance after dire circumstance, and the dead continue to rise in both worlds, readers are in for some action packed sequences as the new “greysheets” once again mess with Harts.

This novel focuses on Paxton and Deegan, but soon our beloved Caleb and his old band of friends come on the scene once again, up to their old antics, and the fun really begins. I will admit that I was on pins and needles throughout this entire novel, especially with the new threats that await our characters, and I loved that we get to see the parent/child bond in this novel; seeing some of my favorite characters of all time, all grown up, is a real treat, and I hope that Blodgett continues this tradition with all her novels. And, from the ending we’re left with in this novel, I at least know there will be one more novel following this beloved cast of characters, if not more, as Blodgett leaves us with a fairly evil cliffhanger.  Five epic stars.

I received this novel from the author in exchange for an honest review.

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Excerpt:

“Mom—no. Brother,” I rake a hand through my hair, on the look out for the BS bots.

They swarm inside the toxic fog of smoke, everything all screwed up by noise and odd pulse tech gone haywire.

Two ram together, fall on their mechanical asses and stumble to get up. They knock heads and fall again.

The parents watch them crash into each other.

“Not very bright,” Dad remarks.

God, Dad.

“Right, listen… you guys we need to get to Pax. He’s taken off to find Deegan and he’s the blinker in the group and we don’t want to be stuck with them.” I sweep my hand out and they take in the idiot bots.

“They appear to ignore mundanes and focus on the paranormal.” Dad is sliding into the default Scientific Observation Mode.

Great.

“Yeah, they’re juiced about everyone but Organics.”

“Caleb,” Mom says, her voice a shadow of the strident Nazi-word queen of my youth, “I think we need to go wherever we’re going—right now.”

A bot advances, its circuitry is buzzing, some of the lightweight flesh of whatever alloy they’ve used in the manufacture torn away like a flap of scalped skin.

Instantly, I think of the Skopamish.

I repress a hysterical chuckle, the crooked mouth rising like a Phoenix. Don’t think the parents will dig the humor.

“I think this one is a little brighter than the rest, son.”

It shambles forward like a metal zombie. I notice it has been soundly torched but whatever covers its body has shielded it from the blanket of my bungled torch episode.

Cripes.

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Guest Post:

Hybrid Authoring

Indie?

Traditional?

Hybrid?

What on God’s green earth are all these new monikers for authors now? Well, we’re a secret club, making these classifications as difficult as possible to figure out for our readers!

Ha! Just joking. Actually, until a few years ago, it was pretty straight forward.

You (the author) wrote a really cool story, sent it out to a million agents, hoped someone gave a care, and got published by one of the Big Five publishing houses.

Sounds reasonable.

Not.

I wrote my first book in 2007, and was so inspired by TWILIGHT. I know there’s readers out there rolling their eyes so hard in their collective heads it’s like a seizure. I hear you, I do. But Twilight was a big deal. Why? It helped put YA paranormal romance on the map; big time. Did you know that Fifty Shades is fan fiction based on Twilight? Yeah. Twilight was revolutionary. I loved it. I wrote Blood Singers and finished it after reading that book. I was too chicken to send it out so I put BS in a drawer. Then I hit on the idea for Death Whispers and did get brave enough to send it out. I fully expected a ton of rejections. I got a few (lol). Then there were agents who made helpful comments (yay!). Then one agent wanted a partial (that’s about 50 pages).

I was stoked like a chimney on fire.

Then he was like: revise this hard and I’ll look at it again.

I was crushed! What? He doesn’t like my “baby?”

Well—yeah. But the good news? The really great news? He gave me hope. I revised the MS hard (like a good girl). The day before I was going to send him the entire thing, I heard about Amanda Hocking. A chick that was truly brave had tossed her stories on Amazon. I was riveted.

Could I do that?

Yes.

So I did.

Self-publishing changed my life. A homemaker of twenty-five years that always wrote stories can [now] do it as a job?

But was I really a writer if I didn’t get pubbed from a Big Five?

Yes.

It sure felt real when I was working 40-60 hour weeks, at a minimum. Then Hubs encouraged me to write under a pen name. He made it up himself (super-sexy). I wrote a lot of titles under that name.

Then A Terrible Love came out under my pen name and made the New York Times list. I about died. (I had an agent by then.) She phoned and told me, because the magic reaches their ears first.

Did I feel like I was a real writer then?

No. I felt like I was a writer in 2007 when I finished Blood Singers.

Then Simon and Schuster picked up ATL and had me write two more books. That’s when I became a “hybrid.”

I’m not the only indie who went on to get a traditional book deal from a Big Five publisher.

I’ve done both now, and love the hybrid thing. It diversifies an author. That said, I am completely pleased to self-publish and enjoy the freedom the Amazon platform provides.

I dig a guest post that breaks down the mystique of a profession. And that is the case with writing. It’s a cool job. But like any job, it’s hard work. Now we have Amazon and our dream of storytelling can be realized whether it be through self-pubbing or traditional.

Being a hybrid is a wonderful thing.

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Giveaway:

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